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M.R.D.Reviews Amazing concept. Amazing sounds. Relaxing and invigorating. Truly a work of art. Minimal in production in some ways, yet so complex in listening experience. Amazing cover art, as well. Favorite track: Corat Coret / II.
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1.
Corat Coret / I 04:08
2.
Corat Coret / II 02:08
3.
Corat Coret / III 01:15
4.
Corat Coret / IV 02:29

about

Background noise [le bruit de fond] is the ground of our perception, absolutely uninterrupted, it is our perennial sustenance, the element of the software of all our logic. It is the residue and cesspool of our messages [...]. It is to the logos what matter used to be to form.

Noise is the background of information, the material of that form [...].
Background noise may well be the ground of our being.
It may be that our being is not at rest [y .] The background noise never ceases; it is limitless, continuous, unending, unchanging. It has itself no background, no contradictory [...].

Noise cannot be made a phenomenon; every phenomenon is separated from it, a silhouette on a backdrop, like a beacon against the fog,
as every message, every cry, every call, every signal must be separated from the hubbub that occupies silence,
in order to be, to be perceived, to be known, to be exchanged.
As soon as a phenomenon appears, it leaves the noise; as soon as a form looms up or pokes through,
it reveals itself by veiling noise.
So noise is not a matter of phenomenology, so it is a matter of being itself.

(Serres 1982: 7, 13)

credits

released August 27, 2020

Real-time composition / live processing of field recordings (painting activity) as sound materials used MaxMSP program.

Field recording
Performed, recorded by Misha Pattiradjawane

Live electronic
Composed, produced by ɟɐɥɯᴉ ɯnɹsʎᴉp

Cover (painting) by Misha Pattiradjawane
Edited by VVAXX

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Fahmi Mursyid Indonesia

Sound Expressionist





Email/Contact : fahmi.mursyid.62@gmail.com

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